June 5th, 2012
justinhargett

This week Picador is publishing Bill Loehfelm’s The Devil She Knows, a “gritty and lyrical” crime novel set in the seedy underbelly of Staten Island. To celebrate we’ll be featuring the book here on the Tumblr for the next three days. Below, Bill describes Bay Street, a small strip of Staten Island bars that inspired the world his heroine, Maureen Coughlin, calls home.

A walk down Maureen Coughlin’s Bay Street (my Bay Street, really) is indeed a walk down memory lane. Not much of the Staten Island strip of bars and clubs that I knew remains. The nightlife lives on there, I’m sure, but the names of the guilty have changed, and I’m sure the innocent remain few and far between. I will say that I had a better time out there than Maureen did. 

The Haunted Café, site of one of Maureen’s first Bay Street jobs, was a true hole in the wall whose enormous tuxedo-wearing bouncer inspired the Narrows dapper enforcer, Clarence. I used to see the guy at the gym. He lifted all the weights. The Haunted burned down some years ago, though I hear the site is still haunted. What haunted the café in the first place, I never knew. I’m pretty sure I never asked. It is, after all, a place where I willingly participated in karaoke. Lucky for the other patrons, I counted several musicians among my friends and I was wise enough to stick to singing back up.

The Dock of the Bay was both a favorite hangout of mine and is one of the key inspirations for the dark and nefarious Narrows. It has been any number of other venues these past years – including an all-ages thrash metal club. Not a band has played there, though, that can touch Full House & the Brooklyn Horns, Maureen’s main moneymaker and the first band to really school me on R&B and funk. A friend and I found the place by accident, looking for someplace “classy” while out on a double date at the Choir Loft. In those days, table seating and cocktail waitresses were our idea of classy and the Dock had both. The girls weren’t impressed, but the boys and I became regulars. It was one of those special places that if you’re lucky you find in your twenties. One of those places you’ll always tell stories about. 

Even the Cargo Café, a real place that sponsored our Sunday morning beer league softball team, and site of much conspiring and commiserating in The Devil She Knows, has finally succumbed to the ravages of time and change and capitalism, re-emerging briefly as a similar café under another name and a new paint job before going under once again.

Even the old all-night White Castle is gone, which is probably for the best.

One of the glories of fiction, though, is it lets you keep the past alive, in any you want it to be. 

For more of Bill Loehfelm’s memories of things past (and future), head over to his Tumblr.

June 4th, 2012
ggantz

The first of five New in Paperback titles from Picador is Siri Hustvedt’s essay collection LIVING, THINKING, LOOKING. Available online and in bookstores near you tomorrow, June 5th. 

Living, Thinking, Looking: Essays by Siri Hustvedt
A Picador Paperback Original 

“No one writing about art today comes closer than Siri Hustvedt to the elusive strangeness of a great painting.” —Calvin Tomkins 

“She brings both knowledge and an artist’s insight to the discussion of memory, language, and personal identity… . It is Hustvedt’s gift to write with exemplary clarity of what is by necessity unclear.” —Hilary Mantel

The internationally acclaimed novelist Siri Hustvedt has also produced a growing body of nonfiction. She has published a book of essays on painting (Mysteries of the Rectangle) as well as an interdisciplinary investigation of a neurological disorder (The Shaking Woman or A History of My Nerves). She has given lectures on artists and theories of art at the Prado, the Metropolitan Museum of Art in New York, and the Academy of Fine Arts in Munich. In 2011, she delivered the thirty-ninth annual Freud Lecture in Vienna. Living, Thinking, Looking brings together thirty-two essays written between 2006 and 2011, in which the author culls insights from philosophy, neuroscience, psychology, psychoanalysis, and literature. 

The book is divided into three sections: the essays in Living draw directly from Hustvedt’s life; those in Thinking explore memory, emotion, and the imagination; and the pieces in Looking are about visual art. And yet, the same questions recur throughout the collection. How do we see, remember, and feel? How do we interact with other people? What does it mean to sleep, dream, and speak? What is “the self”? Hustvedt’s unique synthesis of knowledge from many fields reinvigorates the much-needed dialogue between the humanities and the sciences as it deepens our understanding of an age-old riddle: What does it mean to be human?

Siri Hustvedt was born in 1955 in Northfield, Minnesota. She has a Ph.D. from Columbia University in English literature and is the author of five novels, The Sorrows of an AmericanWhat I LovedThe Enchantment of Lily DahlThe Blindfold, and The Summer Without Men, as well as two collections of essays, A Plea for Eros and Mysteries of the Rectangle, and an interdisciplinary investigation of the body and mind in The Shaking Woman or A History of My Nerves. She lives in Brooklyn. 

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